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Arena: Immortal? (CD, 55:16) Inside Out Music IOMACD 2012, 2000
Inside Out Music America
344-TB Oakville Drive
Pittsburgh, PA 15220

Marillion’s latest CD, Immortal? is an eclectic mix of fantastic

[EDITOR:  Ummm… Immortal? is from Arena – not Marillion…]

What?  But that guitar is obviously Steve Rothery!

[EDITOR:  Err… no, that’s John Mitchell.]

Oh… I didn’t know Marillion had gotten a new guitarist.  Well, that
vocalist – it’s great to have Fish back into the group, isn’t it?!  His
voice may not be what it once was, but his dramatic vocalizations remain the
same.  Good ol’ Fish – love that guy!

[EDITOR:  I don’t know how to break this to you, but the vocalist is Rob

Heh… guess they got tired of that Steve Hogarth guy – he was a little too
poppish for my tastes.  Oh well, no matter – it’s still Marillion, and even
though it’s not anywhere near as good as their previous releases, I’ll give
the boys the benefit of the doubt!

[EDITOR:  It’s NOT Marillion – IT’S Arena]

Yeah, Yeah… OK, whatever you say.  I’ll call them Arena for the rest of the
review if it’ll make you happy.

[EDITOR: … Yes, that would make me happy]

Very well. Still… great to see Mick Pointer back in the Marillion fold, isn’t

[EDITOR: Get on with it!] 

Marill -- err, Arena’s latest CD, Immortal? is a relatively standard
progressive effort with all the neo-trimmings, Rothery-esque, guitar solos,
bombastic keyboards, and vocals that are not so much sung as they are acted.
Arena also tosses in a little metal-prog for good measure, and in the end
Immortal? turns out being merely a decent prog release – nothing
incredibly noteworthy, bad or good.

Since their last studio album, Arena made a couple of lineup changes.
First, they’ve traded in their old bass player for a fellow named Ian Salmon
who does a serviceable job throughout the entire album and seems to be a
good fit with Mick Pointer’s drumming to provide a steady rhythm section.
On the guitar end of things, I’ll just say that if imitation is the
sincerest form of flattery, Marillion’s Steve Rothery must be blushing
because Arena’s guitarist John Mitchell serves up a heaping helping of solos
that seems ripped straight for Marillion’s sheet music.  Not that this is a
bad thing – Mitchell’s guitar playing is definitely the highlight of
Immortal? even if it is extremely derivative.  His chops are about
the only parts of this CD that really make your ears prick up and take
notice of the music.

On the vocal end of things, Arena has replaced their old singer with
newcomer Rob Snowden – a guy who sings with such drama that he makes
Meatloaf sound like Al Gore.  When Snowden lets loose with a recital of
Nolan’s lyrics, you really get the feeling that Rob was probably very
heavily involved in theater during his high school days.  In some cases, his
affected singing is a positive trait (such as on “Ghost in the Firewall” and
the closer “Friday’s Dream”).  However, more often than not Snowden goes a
little TOO far over the top in his annunciation and presentation – on “The
Butterfly Man” you’d think the guy was reciting Shakespeare.  Snowden has a
good singing voice, and I think if he just throttled back a little on the
melodrama he would be much more effective.  Instead, in many cases, he’s
actually a little embarrassing to listen to.

One of the strong points of Immortal? lie with keyboardist Clive Nolan’s
excellent lyrics.  All of the songs on the album seem to be about man’s
unhealthy fascination with technology, and the repercussions it will have on
our society in the long-term.  Although other songwriters have covered this
topic, Nolan’s lyrics are both accessible and complex at the same time
resulting in a CD that will have you “reading along” with the music.
However, Nolan’s keyboard playing is not quite as successful – often Clive
descends into horror movie riffs and obnoxious and bombastic sound samples.
When Nolan switches to piano the results are much more appealing, but these
interludes are too few and far between.  Nolan also makes use of Mellotron
and choral samples a bit too often, and as such they lose their emotional

If you’re a fan of bombastic neo-prog, you will probably like
Immortal?  Everything about the release is “over the top,” and I
suppose that’s a good thing for followers of this progressive sub-genre.
There’s more of a metal aspect on this album than I expected as well, and
these heavy passages actually work very well when taken in contrast with the
rest of Immortal?.  If you can manage to appreciate Mitchell’s
excellent guitar playing and Nolan’s strong lyrics through the din of
overbearing keyboards and over-emotional singing, then Immortal?
should be enjoyable.  But that’s an awful lot of work to enjoy a CD, isn’t

More information on Arena can be found at

- Michael Askounes (

Rob Snowden: Vox
John MItchell: Guitars, Backing Vox
Clive Nolan: Keyboards, Backing Vox
Ian Salmon: Bass
Mick Pointer: Drums

1. Chosen (6:20)
2. Waiting for the Flood (5:52)
3. The Butterfly Man (8:56)
4. Ghost in the Firewall (4:55)
5. Climbing the Net (4:40)
6. Moviedrome (19:43)
7. Friday's Dream (4:44)




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