
 
 
Brainstorm, Last Smile (Garden of Delights)
http://www.forcedexposure.com/labels/garden.of.delights.germany.html 
    Another recording from the seemingly limitless Garden of Delights vault, 
Last Smile is a refreshing Canterbury workout with few of the 
psychedelic tinges that normally show up on reissues from this label (not 
that the psych elements are necessarily bad). Like almost all GoD releases, 
the album is a reissue of a super-obscure German group from the 70's.
 
    Also like quite a few releases from the label, Brainstorm is a band that 
really had potential to do something incredible. The compositions on the disc 
are highly imaginative, allowing ample room for nice jazzy sax and flute 
solos with some Hatfield or Caravan-esque melodies and even vocals sections 
thrown in so that no one aspect becomes overbearing. The fact that the album 
was recorded live is a plus for me, because the band really seems to have a 
lot of energy on every tune. Musicianship is high, but there's enough 
roughness to make it exciting (though compared to some of the technically 
shoddy psychedelic bands, this sounds like a studio recording). The only 
thing that bothers me a bit is the vocals aren't quite as polished as the 
instruments, but the vocal sections are used sparingly (and effectively) so 
this is a relatively minor gripe.
    If five mostly longish tracks of jazz-rock / Canterbury-influenced prog 
with superb sax, flute, bass, keys, and drums sounds like your cup of tea, 
you'll like this album. A truly nice find. ~ Adam Murphree
Brainstorm: Second Smile (CD, 41:08); Garden of Delights, CD 047, 2000 
Cyberhome/Contact: http://www.forcedexposure.com/labels/garden.of.delights.germany.html 
10 words or less: Fine Krautrock with Fusion moments 
Elaboration: This is German progressive Jazz/Rock band Brainstorm's sophomore 
effort, originally released in 1973. This album starts off like a classic, 
complete with Mellotron, Flute and intricate unison lines in 11/8 time on the 
opening track. Instantly the listener knows, this is not your typical, 
loosely arranged Psychedelic Krautrock. The second tune, performed on 
acoustic Guitar, Flute and Percussion, starts nice and melodic then kicks 
into a frantic jam to finish. Track 3 presents the first vocal, sung in 
English, the vocals are the weak link in this album; not necessarily on this 
track though as they take on somewhat of a Greg Lake styling coupled with 
some wordless melodicizing. Fortunately the vocals don't encompass the entire 
song and there are Fusion-y sections interspersed in this 8-minute piece and 
the use of Clavinette creates an interesting texture. Track 4 is a fast paced 
instrumental with well played solos taken on Organ, Flute then Guitar. Up to 
this point I would give this album high marks for creativity and musicianship 
and track 5 starts off good enough in an Avant Garde Jazz style but just when 
it begins to take you in, some terrible vocals come and smother the tune. 
Fortunately, all is not lost and after the vocals cease, the tune ends with 
some great playing by the band. Track 6 is a long tune filled with vocals 
that sound terribly dated. Track 7 is the bonus cut, which is another dated 
sounding vocal tune. Overall, I give this high marks, especially the first 
half. ~ L Perez 

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