SO HERE WE GO . . .
In the early 90s guitarist Todd Duane and
keyboardist Lale Larson performed a series of
highly popular and virtuoso gigs throughout Europe
as well as recording several instrumentals together,
including 'Schizoid' (featured on Guitar on the
Edge No. 4) and 'Double Delight'. After years of
planning the time was finally right for Todd and
Lale, together with ace drummer Peter Wildoer
(Darkane, Time Requiem) to combine forces and
record a CD.
The recording ELECTRIC CARTOON MUSIC FROM HELL
by Electrocution 250 sounds like nothing you have
ever heard before. This trio plays a mixture of
instrumental rock, fusion, thrash metal and jazz.
But most of all, this album will remind you of all
those old Looney Tune cartoons you saw as a kid.
Enjoy these 38 minutes of pure entertainment. Prepare
yourself for a force 10, unrestrained and unstoppable
hurricane of musical excess and virtuosity. E-250 is here!
Preorders now being taken. Matt Williams
EER-MUSIC.com plans to limit new CD reviews to Jazz Rock Fusion, non-rhythmic, atmospherix, Ambient Space musicks and select Progressive rock releases, our shipping address is no longer public info. We in fact only contact those composers we feel merit our limited time and server space!
After decades of listening to these guys on LP, cassette, then years
with some pre-official release CD-Rs secretly smuggled to me - I
finally got to hear and see these guys live right here in North
Carolina.
They covered lotsa material from their legendary 70s releases and
offered new music from their forthcomincoming re-union release,
perhaps to be titled, The Muse Awakens.
What a killer, high-energy, and fun show! I was in total blissville.
Incredible fusiony-progressive axe, dual keys/synths, tuff bass work,
amazingly dynamic percussives, reeds to die for and flute thrown in
for good measure. Everything was so tight yet fluid.
David Rosenthal more than covered original HTM Kit Watkins'
keyboards, (Kit refused to re-unite with HTM).
I was fortunate enough to make it back to the dressing room and got
to meet HTM and we all traded thank-yous and hellos -- pressing the
flesh and snapping pics for memories. What a great bunch of guys!!
I realize HTM played live their official reunion gig awhile back at
NEARfest but I couldn't make it. Hearing all the freshly composed new
material tried out on us was well worth the wait!
~ John W. Patterson, EER-MUSIC.com Editor, (devoted HTM fan)
Re: Planet X's MoonBabies release
Well, I've had my 4-5 listens and things still sound great. Track 4
is my current fav.
Early opinion: In response to someone saying things sounded "disjointed",
I think/assume/feel I know where he is coming from. Between Donati's
much more complex drum modes, Sherinian's incredibly dense
compositions of angular, stop-n-go-stop-go-go-stop-break-GO!
frenetics of one onslaught after another, (which my neurons have
adapted to long ago), a first listen or melody-inclined listen might
make one feel as if their head was in a faulty food processor upon
hearing Moon Babies.
This CD represents a new, polymosaic of fusion in micro-evolution! I
kept thinking of new coin-able phrases, buzz-words to hold this sound.
For example: dense fusion, black-hole fusion, aggressive fusion,
cyber-warrior-caste fusion, angularly heavy fusion, Godzilla
fusion . . . I think I like Godzilla fusion best. Why?
Derek, Virgil, and Tony are serving up way heavy, monstrous, dense,
challenging, threatening, and excellently powerful fusion rock. There
are some slow and flowingly easy moments but those are quickly
devoured by whirlwind of notes, polyrhythmic rage, immense bass, and
doomer speed-crunch axe. This is a warping, wall of fusion "noise"
that requires cranking your brain up 4 or 5 notches to near 78rpm
listening. Between Derek and Tony going insane in hyperdrive, fractal
overload, unison lines and conversational soloing -- my bet is many
folks will feel "disjointed" or pummeled into submission.
What keeps it all very organized is Donati's drums and the guest
bassists providing a very interesting fusion rock groove throughout,
a groove that provides a perfectly NON-disjointed foundation for all
Derek and Tony's rail-gunnery and seek-and-destroy sonic ambushes.
I am gonna give this release a solid 9.3 out of 10 and that's only
because I felt Tony needed to wail on fusion axe solos moreso and
fills at least 10-15% more per track or at least be more present in
the mix versus blended into much of Derek's superb synthwork. (I am
an axe guy - so be it.)
After a good listen I have to disagree with any "disjointed"
call. "Dense" is a much more accurate description.
Lastly, is this music or madness? It's a bit of both and that's
exactly how I like it.
Ciao!
John W. Patterson
http://EER-MUSIC.com
Interesting thought. Much is said in commentary on how McLaughlin
filled a void of desparately needed new axe hero once Hendrix passed.
When listening to young pre-Mahavishnu John on his Devotion release,
that screaming wailing crunch of Hendrix is evident.
Heads-up:
. . . ex-Megadeth/DamntheMachine axeman Chis Poland can truly wail
some hardcore fusion.
Grooveyard records just sent EER-MUSIC.com the 2002 issue of his
CHASING THE SUN CD. It has many strong fusion moments and excellent
axe throughout. Poland is severely talented, ripping it up like a
cross between Scott Henderson/Ray Gomez/Jeff Beck and bits of John
Goodsall sneak out as well. I was also sent a CD-R teaser of an
extended live jam by Poland's trio called OHM. Wow! I cannot wait for
the OHM CD to be completed. I hear from a friend who has seen them
live that they smoke.
Poland has grown way beyond shred and metal!! Yippee . . .
Keep yer ears open.
PS: Bass work is killer too as well as fine drums too on the OHM
teaser trak.
A hydra-headed heads-up from EER-MUSIC.com . . .
1) Tom Voli of Gnarly Geezer just shipped EER-MUSIC.com most of the
CDs that http://gnarlygeezer.com offers.
I am VERY impressed and delighted with the listens to:
"Timequake" by Norway's Ronny Heimdal. WOW! Grab this quickly. The
musicianship and compositions are fusion bliss. Many, many very
wonderful things are happening here. If you dig AH, TTech, and
Houston, Texas' STRATUS or Asia's KENSO then do grab "Timequake" by
Ronny Heimdal, mmm, mmm -- good.
READ THE FULL REVIEW HERE: RONNY HEIMDAL
2) FLATTire just in from Megazoidal . . . 
Listen Now! to the new WEER JAZZ ROCK FUSION RADIO SHOW!
Find fusion CDs at Abstractlogix.com for bargain price!
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I even sell my goods there!

EERBITS
OCTOBER 1st, 2006 MARKS
EER-MUSIC.com's 8th ANNIVERSARY ONLINE!
EER-MUSIC.com & its popular WEER RADIO STREAMING MP3 SHOW
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type of show and have ALL the bandwidth we need -- we are now having
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I refuse to use PayPal but just discovered a new Amazon.com Donations
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I refrained from doing this for 6 years online but now we must face reality.
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Various: TRIBUTE TO JIMI HENDRIX,
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If you are seeking out-of-print and hard-to-find CDs . . .
try my new eBay page where I post CD finds for sale.
"Jazz Fusion Guy" @ eBay page
God smiled on me and granted me the chance
to hang out with Shawn Lane and Jonas Hellborg
and "press the flesh" on May 31st, 2003 for a show
at Smilefest in Union Grove, NC. What a blast!
I will have some more brief mpeg/wmv movies soon
for download and more to say. For now enjoy this brief
animated GIF movie below.
PS: "God bless you Souvik of Abstractlogix.com"
"WHAT A SHOW!!!!!"
EER-MUSIC.com recommends the Alexa ToolBar.

Click on bar for more info. THIS IS NOT SPYWARE nor SNOOP-INFESTED!!
OVER 10 MILLION DOWNLOADS TO DATE. BLOCK POP-UPS. RESEARCH SITES AS YOU BROWSE.
Cartoon music from hell, we kid you not!
Want to hear one of the most astounding shred
exercises ever burned onto disc? Want to revel in
excess and unparalleled virtuosity? Want to sit
there with your jaw hanging open - speechless at
the technical mastery one minute, laughing your
head off the next? Why am I even asking you?
Of COURSE you do, else you wouldn't be visiting
EER-MUSIC.com!
Soundclips also
available for download.
Head of Liquid Note Records
~ posted courtesy of EER-MUSIC.com as a fav to LNR
UPDATE: January 2004
Labels, artists, and distributors E.E.R. has dealt with in the past will receive special consideration.
Thank-you for your understanding of this decision.
Happy the Man at ProgDay 2002


HENDRIX a fusion forefather??
Jimi's fearless way of blending genres like blues, acid rock,
instrumental guitar pyrotechnics,(figuratively and literally!),
balladic power pop, and experimentally progressive rock epic saga
songs like "1983, A merman I should turn to be . . .", surely helped
inspire McLaughlin (and others) to meld modalities from afar into a
screaming wall of genius fusion rock.
Everybody says Miles Davis brought the fusion noise but after
listening to Bitches Brew, I dunno really. (I don't like
that "seminal" album at all, myself.) Miles Davis did help birth and
inspire greats like McLaughlin, Zawinul, Shorter, Stern, Holzman,
etc, etc but they seemed to merely find a solid fusion freedom of
expression and recognition once they _LEFT_ Miles' shadow of greatness.
McLaughlin had more jazz going in his head and hands than Jimi so I
feel only Jimi's death kept him from becoming a fusion hero. There is
a tune on South Saturn Delta or New Rays . . . (I forget now) where
Jimi recorded with same nameless jazz studio artists but very lttle
fusion was happening there. Still, Jimi very well may have found a
new fusion groove upon hearing McLaughlin - ya know?
When you heard rockers like Jeff Beck, Tommy Bolin, Ray Gomez and so
on jumping into the fusion arena you know Hendrix would have stepped
in too if he hadn't of checked out of planet Earth.
Jimi was essentially blues deep at heart in all his rock mastery and
about the only trace of blues you ever hear in classic fusion was the
syncopated bluesy shuffle breakdown in "The Dance of Maya". Of all
the axe-men that could have been great fusion heroes if . . . they
hadn't died, my guess is Tommy Bolin would have been more of a fusion
natural and a real cornerstone of the genre, perhaps more than even
Jimi. Whaddaya think??
Speaking of axe-men that could be quite excellent current-day
fusionists but aren't really doing anything fusion-wise to speak of
are the following: Jamie Glaser, Ray Gomez, and Bill Connors.
I have contacted Ray but nothing is happening with any CD release
yet. We all are waiting Ray . . . .
I wrote a nice and encouraging letter to Bill via a NYC addy his
brother gave me. No reply. Thanks Bill, nice of ya. (BTW, Connors
tidbit of axe on Plainfield's new CD is nuthin' to write yer Mom
about.)
I haven't bothered trying to contact Glaser yet. Anybody know what's
up with him??
Well, I've blathered enuff -- y'alls turn!
John W. Patterson
http://EER-MUSIC.com/Fusion.html
FuseNet post by EER-MUSIC.com Editor . . .
Date: Tue Jun 18, 2002 4:57 pm
Subject: Shawn Lane on Personae / Lost Tribe CD up for grabs
Well, I finally nearly shed a tear during a fusion solo!
Why?
As a struggling guitarist, when you hear what Shawn Lane does live on
the cut "Rice With the Angels" off the new Personae -- something just
slips away -- any hope of ever reaching the levels that these guys
play! Amazing! What a rush!

Hellborg/Lane/Sipe LIVE!
Buy this killer Fusion now!!

SHAWN LANE - photo from Richard Hallebeek interview, "Read more about Lane!"
Lane was burning -- no lasering these coherent beams of sound in
ostinato bursts like McLaughlin's MahaOrk 70s style but the ostinato
runs were so fast and seamlessly fluid they approached the
quicksilver shimmer of Holdsworth's legato explosions. It's very hard
to imagine an axeman outdoing Mahavishnu John and Gnarly Allan in one
solo but I swear -- I heard it happen in Lane's solo outburst.
And as far as Scott Henderson's blusy-rock-fallin-down-the-stairs-
drunk-n-laughin axe antics go -- Lane covers all that territory
elsewhere on Personae.
I have to admit that I used to own Powers of Ten and also listened
to Tri-tone Fascination all by Lane but never really was deeply
satisfied with those releases' overall gestalt(s). Personae
however -- Whew! -- great stuff. I am now a solid Lane fan.
I highly recommend this release.
Ever wonder about your dreams reflecting your future?
This book tries to explain how time "travel" is valid
via your dreams. I have tried Dunne's experiments myself.
Amazingly enough, his theory proved true for me!

John William Dunne's AN EXPERIMENT WITH TIME
Buy it now and see tomorrow tonight? I did!
It has come to my attention recently that two misconceptions
run rampant about jazz rock fusion fans as well as those
editor/reviewer/webmaster types like myself being:
1) Narrow in their musical tastes
as well as the juvenile aspersion cast forth that e-zines/review
websites are:
2) Only after free CDs and do not support
the arts via purchasing music
Frankly, this mentality irks me royally in its own form of
insipid narrow-mindedness. A certain alternate-guitar progger,
(I refuse to name), and some well-known jazz fusion guitarists
come to mind . . . when I think of such shallow mentality.
To set aside any future b.s./whining from these folks and other
out there with similar rut-driven mentalities, I offer a listing
of the music I have purchased for my own collection since
November 2001.
Recent CD purchases: (in no genre order) [artist: album]
=======================
1. Aaron Copland: Assorted works
2. AC/DC: Back in Black (remastered)
3. Antonin Dvorak: Symphony No. 9 “New World”,
Symphonic Variations, Op. 78
4. Bill Connors: Theme to the Guardian
5. Billy Cobham’s Glassmenagerie: Stratus
6. Black Sabbath: The Mob Rules (remastered UK import)
7. Bonzo Dog Band: The Best of the Bonzo Dog Band
8. Christopher Parkening: The Artistry of Christopher Parkening
9. Crack the Sky: Animal Notes/Safety in Numbers
10. David Sylvian and Holger Czukay: Plight and Premonition
11. Dixie Dregs: Freefall
12. Donovan: Mellow Yellow/Wear Your Love Like Heaven
13. E.S.T.: Somewhere Else Before
14. Ed Mann: Get Up
15. Erik Satie: Complete Piano Music
16. Frank Zappa: Guitar(2CD)
17. Frank Marino: Juggernaut
18. Franz Liszt: Panorama (2CD)
19. George Gershwin: Concerto in F, An American in Paris,
Rhapsody in Blue
20. Greg Bissonette: self-titled
21. Hatfield and the North: The Rotters Club
22. Igor Stravinsky: The Rite of Spring, Petrushka
23. Jean Michel Jarre: The Essential J.M. Jarre
24. Jennifer Batten: Above, Below, and Beyond
25. Jimi Hendrix: South Saturn Delta
26. Jimi Hendrix: First Rays of the New Rising Sun
27. Joe Satriani: Not of this Earth
28. John McLaughlin: Devotion
29. Karl Jenkins: Diamond Music
30. Keith Jarrett: Dark Intervals
31. Laocoon: Immersion
32. Leo Kottke: The Essential Leo Kottke
33. Lyle Mays: Solo (improvisations for expanded piano)
34. M-Base Collective: Anatomy of a Groove
35. Maurice Ravel: Assorted piano works
36. Mike Oldfield: Hergest Ridge
37. Mike Stern: Odds and Evens
38. Miriodor: Elastic Juggling
39. Neil Young: Decade(2CD)
40. Orb: The Orb’s Adventures Beyond the Ultraworld(2CD)
41. Ozric Tentacles: Become the Other
42. Ozric Tentacles: Curious Corn
43. Phil Miller: Split Seconds
44. Phil Miller: Cutting Both Ways
45. Players: self-titled
46. Rachmaninoff: Piano Concertos 2 & 3
47. Return To Forever: Return to the 7th Galaxy, Anthology(2CD)
48. Roxy Music: Avalon
49. Schoenberg: The Transfigured Night, Variations Op 31
50. Soft Machine: Bundles
51. Steely Dan: Showbiz Kids, The Steely Dan Story(2CD)
52. Steve Coleman and Five Elements: Rhythm People
53. Steve Hillage: Rainbow Dome Musick
54. Steve Khan: Eyewitness
55. Steve Khan: Tightrope
56. Steve Khan: The Blue Man
57. Stone Temple Pilots: Core
58. Talking Heads: Stop Making Sense (special new edition)
59. Terje Rypdal: Odyssey
60. Terje Rypdal and the Chasers: Blue
61. Tomita: Dawn Chorus
62. Uli Jon Roth: Transcendental Sky Guitar(2CD)
63. Wally Badarou: Words of a Mountain
64. Wendy Carlos: Beauty in the Beast
(This list does not include CDs I purchased
as gifts for family and friends!)
Do the math.
John W. Patterson
and
http://EER-MUSIC.com support the arts.

If you see this
EER-MUSIC.com
TOP PICKS logo
The Editor has
found this CD
most highly
recommended.

Discover Wayne Krantz!
Need more info? Visit Wayne Krantz online at:
Wayne Krantz Cyberhome

READ REVIEW: ALLAN HOLDSWORTH
3) The Canadian group, SPACED OUT, lead by the bassist/composer
Antoine FaFard deserves a very good nod for their recent fusion rock
releases. Do check 'em out!
More info here: http://www.unicornrecords.com/spacedout/
and in-depth SPACED OUT CD reviews here:
http://eer-music.com/EER_music_reviews/SPACED_OUT.html
Ciao!
ENJOY THE SULTRY but ROCKIN' VOX OF
AURORA K's, Katriina aka "KAKE"
Experience this femme of Finland!
Aurora K's "Kake"!
then you'll also enjoy THE LIGHT BEYOND.
It is another solid fusion release
with plenty of studio jamming as well as written material. Gambale, Hamm,
and Smith are tight as usual and Gambale rips it up in great style with
no filler riffs. Lotsa incredible sweep picking runs, mean bass, and intricate drums.
LINK TO FINISHED REVIEW READY AT: Fusion index



Mark "Wonderboy" Gleed!! Whoa baby, NEVERWASNEVERWILLBE, (year 2000), demo tape/work in progress . . . is one heck of a fun ride!! Raw and unfinished as it may be I luv'ed it man. You have a Joe Jackson/Bill Nelson/Bryan Ferry/Jeff Berlin,(singing on Bruford's GRADUALLY GOING TORNADO)/King Crimson iconoclastic/smugboy, (Adrian Belew period) type of styling to your bombastic, crooning vox -- luv it!! -- fun, raucous, and delightfully reckless lyricism. What phatly zany, in-your-face, effusive keys, and wonderful unique compositions you have there Mr. Gleed. Sir Allan Holdsworth, of course, was smokin' the frets and curiously jazzrockstar-legend loose, crunchin' some ripper, power chords. He seemed to be havin' a blast just beating and choking his axe into neutron star-death in between his signature way-too-fast legato tornado riffage. Matchless, mesmerizing, and maddening musick! T. Levin was his usual monster-bass self. Guy E. drums just right. GET THIS SUCKER FINISHED FAST and lemme be 1st to review it for ya!! Good golly, Mark, dis be da stuff!! ~ John W. Patterson, Editor of ECLECTIC EARWIG REVIEWS


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